Tom Wolfe, Bestselling Author and Journalist, Dies at 88

Novelist and journalist Tom Wolfe believed that techniques for fiction and nonfiction should be interchangeable. “The things that work in nonfiction would work in fiction, and vice versa,” he said.
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In a career that spanned more than half a century, Tom Wolfe wrote fiction and nonfiction best-sellers including The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Along the way, he created a new type of journalism and coined phrases that became part of the American lexicon. Wolfe died Monday in Manhattan. He was 88.

Wolfe didn’t start a novel with a character or a plot, but rather, with an idea. In 1987, wearing his signature white suit, Wolfe told me how he began his first novel, a panoramic story of New York Society:

“I looked at the whole city first,” he said. “I wanted to do New York High and Low. I figured Wall Street could stand for the high end, and also some of the life on Park Avenue. And at the low end, there would be what you find caught up in the criminal mechanism in the Bronx. Once I zeroed in on these areas, I would then find the characters.”

The novel that grew out of Wolfe’s research — The Bonfire of the Vanities — was the tale of Sherman McCoy, a wealthy bond trader who loses everything after a wrong turn in the South Bronx with his mistress in the passenger seat. It was a huge critical and commercial success. Wolfe had written the novel from the same “you are there,” stream-of-consciousness, first-person perspective that he pioneered in his nonfiction 20 years earlier.

“I’ve always contended on a theoretical level that the techniques … for fiction and nonfiction are interchangeable,” he said. “The things that work in nonfiction would work in fiction, and vice versa.”

Wolfe began working as a newspaper reporter, first for The Washington Post, then the New York Herald Tribune. He developed a unique style, incorporating literary techniques — interior monologues, amped-up prose and eccentric punctuation. It was called the “New Journalism.”

“When Tom Wolfe’s voice broke into the world of nonfiction, it was a time when a lot of writers, and a lot of artists in general, were turning inward,” says Lev Grossman, book critic for Time magazine. “Wolfe didn’t do that. Wolfe turned outwards. He was a guy who was interested in other people.”

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SOURCE: NPR, Tom Vitale