This month, a few corners of the Internet have gotten interested in whether or not literature and popular culture reflect politically conservative positions, and what should be done about it.
In National Review on July 9, Jonah Goldberg suggested that American popular culture, contrary to popular assumption, is essentially conservative. Two days earlier, on the cover of National Review, the conservative book editor Adam Bellow suggested that what culture (and, specifically, literature) needs is more conservative creators and more conservative funders. Alyssa Rosenberg responded in the Washington Post, suggesting (as “friendly opposition”) that conservatives run the risk of creating terrible art if their first step forward is ideology, not craft; Micah Mattix more or less agreed in his take in The American Conservative.
Personally, I don’t have much of a dog in the politics-and-culture fight. But I got interested because this all sounded pretty familiar. As lore has it, Hollywood needs to be infiltrated by people of faith who can make sure that “our values” are being reflected on screen.
Well, I’ve just come from a screening of Calvary, the most “Christian” film I’ve seen in as long as I can remember. I don’t think it will be winning any awards from the Christian world (although I guarantee it will show up on my end-of-year list here at Christianity Today, and a few others, too). It has bad words, and it takes place in a universe very like ours—that is, in one where people are suffering the ugly aftereffects (and sometime during-effects) of their very serious sins against one another.
I put the word “Christian” in quotes there, though. I think we can all agree that a film cannot be “Christian” in the way you and I can be, because a film cannot be converted, cannot believe, cannot be baptized (literally, anyhow), cannot be part of the body of Christ. That’s the first sense of the term: a noun.
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SOURCE: Christianity Today